McGee: The Sound of Medieval Song - Ornamentation and Vocal Style According to the Treatises Instrument_Cornamuse String Note a415 a440 1

String Note a415 a440 1 A3 58 NNG 54 NNG 2 E3 76 NNG 70 NNG 3 B3 50 NNG 48 NNG 4 G3 64 NNG 60 NNG 5 D3 82 NNG 79 NNG 6 A2 108 D 104 D 7 G2 68 NGE 66 NGE 8 F♯2 73 NGE 68 NGE 9 E2 76 NGE 73 NGE 10 D2 85 NGE 82 NGE 11 C2 94 NGE 88 NGE 12 B1 100 NGE 94 NGE 13 A1 112 NGE 108 NGE  14 G1 128 NGE 120 NGE

Note the Susato Keys on low -C- to low -F#- whistles

round tone and the boxwood gives you full dynamic and expressive sound ranges to explore

commonly known as Baroque pitch

Range: 4 octaves

McGee: The Sound of Medieval Song - Ornamentation and Vocal Style According to the Treatises Instrument_Cornamuse String Note a415 a440 1The Sound of Medieval Song is a study of how sacred and secular music was actually sung during the Middle Ages. The source of the information is the actual notation in the early manuscripts as well as statements found in approximately 50 theoretical treatises written between the years 600 1500. The writings describe various singing practices and both desirable and undesirable vocal techniques, providing a fairly accurate picture of how singers